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- <text id=93HT0589>
- <title>
- 1983: Theater
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1983 Highlights
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- January 2, 1984
- THEATER
- BEST OF '83
- </hdr>
- <body>
- <p>Brighton Beach Memoirs. Neil Simon mixes slapstick and
- sentiment in his autobiographical play about an American
- family, that secret society where the passwords are forgive
- and remember.
- </p>
- <p>La Cage aux Folles. The one megahit musical in a torpid
- Broadway season, Harvey Fierstein's gay valentine boasts a
- spectacular turn by George Hearn, as a Saint-Tropez drag queen,
- and surefire Jerry Herman songs that might have been composed
- on a calliope.
- </p>
- <p>Fen and Top Girls. In the first, five women till the harsh
- swampland of Norfolk; in the second, a Thatcheresque career
- woman chats with her peers from throughout history. In both,
- British Feminist Caryl Churchill displays acerbic ironies and
- dazzling technique.
- </p>
- <p>Galas. Or: The Life and Hard Times of Maria Callas. Leave it
- to off-off-Broadway's Charles Ludlam--playwright, producer,
- director and, in the title role, every inch a diva--to put the
- art back into commedia dell'arte.
- </p>
- <p>Isn't It Romantic. Wendy Wasserstein looks at two sisters under
- the skin--one a Wasp princess, the other a Jewish frogette--in
- an irresistible off-broadway comedy about coming to terms with
- endearment.
- </p>
- <p>My One and Only. A trunkful of Gershwin songs, colorful sets
- from a wise child's kindergarten and a pair of toe-tapping
- charmers in Twiggy and Tommy Tune make for Broadway's airiest
- enchantment.
- </p>
- <p>'night, Mother. A young woman announces her intention to
- commit suicide; her mom uses every dithery wile to prevent her.
- Marsha Norman's Pulitzer prizewinner is equally entertaining
- and harrowing; in the only roles, Kathy Bates and Anne Pitoniak
- shine with love and anger.
- </p>
- <p>Painting Churches. The twilight of life, the dawn of senility;
- Chekhov comes to Beacon Hill in Tina Howe's sweet, zestful off-
- Broadway comedy.
- </p>
- <p>Passion. The Jekyll of respectability duels with the Hyde of
- libido. Peter Nichols' unsettling domestic comedy survived a
- ragged Broadway production with many of its virtues (and Actress
- Roxanne Hart's Circean charms) intact.
- </p>
- <p>Quartermaine's Terms. Quartermaine, an aging instructor at an
- English school for foreigners, is one of nature's near misses:
- a decent mediocrity, for whom other people's crises are mere
- whispers in the anteroom of his mind. In Remak Ramsay's
- off-Broadway performance, Simon Gray's British import found the
- perfect pitch of melancholy.</p>
-
- </body>
- </article>
- </text>
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